Jonas

Freelance Photographer + Videographer

konta

based in UK, available globally

Limited availability for freelance

Limited availability for freelance work

Hello!

I’m Jonas, a North East based filmmaker & photographer. I work with marketing and creative agencies who need someone who can step into a project, run the shoot, and deliver polished edits without hand-holding. You stay in full creative control - I make the production side effortless.

If you’re looking for a reliable extra pair of hands with a wide range of experience, and someone you can trust to represent your agency well, get in touch below.

GET IN TOUCH

LIVE EVENTS

The real noise, the real pace, the real moment

LIVE EVENTS

The real noise, the real pace, the real moment

LIVE EVENTS

The real noise, the real pace, the real moment

LIVE EVENTS

The real noise, the real pace, the real moment

Studio work

Consistent setups for consistent campaigns

Studio work

Consistent setups for consistent campaigns

Studio work

Consistent setups for consistent campaigns

Studio work

Consistent setups for consistent campaigns

CREATIVE CAMPAIGNS

Content for real audiences

CREATIVE CAMPAIGNS

Content for real audiences

CREATIVE CAMPAIGNS

Content for real audiences

CREATIVE CAMPAIGNS

Content for real audiences

VIDEOGRAPHY

Documentaries, fun content, partnerships and more...

VIDEOGRAPHY

Documentaries, fun content, partnerships and more...

VIDEOGRAPHY

Documentaries, fun content, partnerships and more...

LIVE EVENTS

STUDIO WORK

LIVE EVENTS

Live events are chaos, the good kind of chaos. Lights everywhere, crowds screaming, moments happening faster than anyone can warn you. I’ve spent years in that chaos, learning how to spot the big moments before they happen and grab them without getting run over by a confetti cannon.

I love this stuff. Whether it’s a packed arena or a small local event, my goal is always the same: capture the energy so the client can proudly talk about the event in the future.

STUDIO WORK

Studio work is slower and more controlled, which is exactly why I like it. You can dial in the lighting once and know it’s going to look the same every single time, perfect when you need consistent visuals across a whole campaign or want your brand to feel cohesive from one post to the next.

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CREATIVE PROJECTS

VIDEO CONTENT

CREATIVE PROJECTS

Creative projects are where things get fun. One day I’m turning an abandoned warehouse into a film set, the next I’m filming a podcast in a Tesla, or figuring out how to announce new talent without making it look like every other announcement video on the internet.

These are the projects that let me play a little, try new ideas, and actually flex some creativity. Whether the brief is perfectly planned or held together by hope and a few bullet points, I’m all in - and I’ll find a way to make it look great.

VIDEO CONTENT

Video content is the everyday stuff that keeps brands alive - the interviews, updates, behind-the-scenes bits, and quick social pieces that somehow always need to be filmed yesterday. I’m used to jumping into these with minimal prep, working fast, and still making everything look clean and intentional.

Whether it’s a content day, a last-minute request, or a “we promise this will only take ten minutes” shoot that absolutely won’t, I keep things simple, smooth, and stress-free. You get solid footage, good audio, and edits your team can use straight away.

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EQUIPMENT LIST

The gear list is here for one reason: so you know I can turn up to any project and get the job done without borrowing half your office. From cameras and lenses to audio, lighting, and backup options, I’m fully covered for everything from fast-paced shoots to more controlled setups.

If something unexpected happens, and it usually does, I’ve got the tools to handle it.

CAMERA EQUIPMENT

Sony FX3 (cine rig)
Sony FX30 (gimball rig)
Sony A7IV

Tamron 17-28 f/2.8
Sigma 24-70 f/2.8 II
Sony 70-200 f/4
Sigma 16mm f1.4
Sigma 10-18 f/2.8
Hellios 44-2
Sigma 35mm f/1.4*
Sony 85mm f/1.8*

AUDIO EQUIPMENT

Sennheiser MKE600
Rode Wireless PRO
Rode VideoMic Pro
Rode Wireless Go II
Zoom F3
Sony ICD-TX660 x2

OTHER

Tripods
DJI RS4
LED key lights
Nanlite PavoTube x2
Atomos Hinobi II Monitor
Calibrite ColorChecker Passport Video 2
JVC VHS Camera
Godox Flash x2
iPhone 17 Pro (soon)
DJI Mini 5 Pro (soon)

CAMERAS

Sony FX3 (cine rig)
Sony FX30 (gimball rig)
Sony A7IV

Tamron 17-28 f/2.8
Sigma 24-70 f/2.8 II
Sony 70-200 f/4
Sigma 16mm f1.4
Sigma 10-18 f/2.8
Hellios 44-2
Sigma 35mm f/1.4*
Sony 85mm f/1.8*

SOUND

Sennheiser MKE600
Rode Wireless PRO
Rode VideoMic Pro
Rode Wireless Go II
Zoom F3
Sony ICD-TX660 x2

OTHER

Tripods
DJI RS4
LED key lights
Nanlite PavoTube x2
Atomos Hinobi II Monitor
Calibrite ColorChecker Passport Video 2
JVC VHS Camera
Godox Flash x2
iPhone 17 Pro (soon)
DJI Mini 5 Pro (soon)

More About me

I’m Jonas. I started out filming the beautiful chaos of esports, the kind of world where anything can happen and usually does. It taught me to work fast, stay calm, and catch the important moments before they run off in a different direction.

These days, I’m taking those skills into other industries and working more closely with production houses and creative & marketing agencies. Think of me as the extra pair of hands you call when your team is drowning in deadlines, shoots keep multiplying, and you need someone who can just turn up and get things done without a three-hour briefing.

I keep things relaxed, I work efficiently, and I bring back footage you can actually use.

No drama, no babysitting - just solid work when you need it most.

I keep things relaxed, I work efficiently, and I bring back footage you can actually use.

No drama, no babysitting - just solid work when you need it most.

GET IN TOUCH

My

expertise

(1)

Craetive direction

Creative direction

Creative direction is where I get to take loose ideas, half-finished thoughts, and “we’re not sure but maybe something like this?” moments and turn them into actual plans. Whether it’s shaping a campaign, finding the right tone, or deciding which ideas should never see the light of day, I help teams take a concept from “interesting” to “oh, this actually works.”

(2)

Documentary-Style

Production

Documentary work is my comfort zone. I like digging into the real moments, the unscripted stuff, the awkward pauses, the quiet reactions that actually say more than the big speeches. I keep things relaxed and natural so people forget the camera is even there, which is usually when the good material shows up anyway.

(3)

Studio Photography

& Videography

Studio Photography &

Videography

Studio shoots are where I get to control everything for once. Lighting stays where I put it, expressions don’t disappear into the shadows, and the final result looks polished every time. It’s perfect for portraits, promos, and anything that needs consistency and a slightly calmer approach than filming in the middle of an event.

(4)

Content Strategy & Production

Most “quick content ideas” aren’t quick at all - unless you’ve done enough of them to make it feel easy. I help teams figure out what they actually need, how it fits into a campaign, and then shoot it in a way that doesn’t require a six-page brief. Clean, purposeful content without the headache.

(5)

Live event coverage

Live Event Coverage

Live events are unpredictable, loud, and full of moments you only get once, which is probably why I enjoy them. I’m used to working fast, staying aware, and catching the important stuff before the crowd blocks the shot or the moment disappears. If something big happens, I’ll already be pointing a camera at it.

Let'S WORK

TOGETHER

Instagram

Twitter

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